This is the second movie of the Butt Sisters series that I've seen and so
far, I'm not all that impressed. If the series does have a few good
installments, I haven't found them yet. This one has five scenes with only
a fair amount of heat in each one. For anal lovers, this is far from a
recommendation because only the two 'Butt Sisters' in this movie, Patricia
Kennedy and Dallas (who don't actually play real sisters but step-sisters),
do the anals and they only have one scene each. For Vanessa Chase fans, you
may decide to rent this one because she graces the box cover with a
construction hat on (alongside Patricia), but she does not appear in the
movie at all.
THE BUTT SISTERS DO PHILADELPHIA
director: Steve Drake, 1995. Midnight
cast: Patricia Kennedy, Dallas, Jill Kelly, Krista Maze, Caressa Savage,
Steve Drake, Gerry Pike, Bobby Vitale, Michael J. Cox
rating: 1.15
sex scenes:
- Krista Maze, Steve Drake
- Patricia Kennedy (anal), Michael J. Cox
- Jill Kelly, Caressa Savage
- Jill Kelly, Gerry Pike
- Dallas (anal), Bobby Vitale
After the opening credits, things immediately start off with a woman and a
man (Krista Maze and Steve Drake) poolside.
(SCENE 1): They start off by feeling eachother up and kissing. Steve takes
Krista's natural breasts in his hands and gently licks and sucks them. They
step inside the pool briefly as they continue. Then they hop out and onto
a lawnchair where Krista lays herself out and lets Steve finger her and taste
her some more. She doesn't moan, but it looks like she's enjoying herself.
They kiss again, switch places, and Krista gives Steve a slow and sensual
blowjob. After more brief kissing, Krista sits on top of Steve in the
reverse cowgirl position. Their positioning seems a little cramped and not
much penetration is done. She gets up and turns herself around and things
heat up just a little as she bounces herself up and down, but at one point
she looks up as if a little bored or tired and they switch positions again,
doing missionary. Steve makes her squeal as he drives himself into her, but
no real point of climax is reached. The scene ends with a weak facial
(really only on her chin). The camera was shaky at times and some guy's
shadow was seen walking by at one point, making this only a ho-hum scene.
I've only seen Krista Maze this once and some of her facial expressions make
her look like Victoria Paris at times, and she's generally a plain-looking
girl (not in a bad way, though).
A mini van pulls up to the house just as the guy tells the girl she'd better
leave before his girlfriend shows up. Too late, he's been busted by his
girlfriend Julie (Dallas) who sees them together and runs into the house
crying. He chases after her and she tells him to get out of her house, never
wanting to see him again. He tells her he'll be back later to pick up his
things and when he leaves, Julie calls up her step-sister Lori (Patricia
Kennedy), telling her she really needs to see her so she decides to book a
flight to Philadelphia for the next day. After getting off the phone, Lori
calls up a friend of hers, Billy (Bobby Vitale), and asks him if he's seeing
anybody then later asks if he'd like to meet her sister. He decides he'd
like to and they set up a date.
Later that night. Lori's sitting up in bed reading a book. Her husband
(Michael J. Cox) comes home from work exhausted and complains about his job.
He then has his mind on other things, staring at Lori in her bra and panty,
and he starts to feel her up.
(SCENE 2): Michael starts pulling down Patricia's bra so he could suck her
nipples. After removing her bra, she flips over on her stomach and lets him
eat her out from behind. She turns around again and he pushes her panty to
the side so he can continue to finger and tongue her. Later, he gets down
on the bed and lets Pat work her pierced tongue around his shaft. She spits
on his cock and gets a nasty look on her face as she feeds her hungry mouth.
They fuck reverse-cowgirl style but half of the action is marred by bad
camera angles. Then they flip themselves over, doing it doggie style. Ok,
but short. They spoon it next with anal penetration but Michael has to hold
himself practically the whole way through as he glides it in. To close
things, Michael climbs up over Pat's face and jerks himself for about thirty
seconds before giving her an ok facial, which she mainly spits out. The
scene's kind of ho-hum due to lack of enthusiasm from both partners.
Things switch over to another house (the next day) and we suddenly see two
girls, Sue (Jill Kelly) and a friend of hers (Caressa Savage), having fun on
a couch.
(SCENE 3): Both girls are still wearing their bras and panties and Caressa
starts off by being the chick-with-a-dick, having Jill on her hands and knees
sucking the strap-on dildo. It's not very erotic hearing Caressa say "suck
my cock" but unless you don't FF this part, it lasts a good three minutes.
After Caressa removes the strap-on, Jill breaks out two more dildos. Before
playing with them, Caressa has a taste of Jill. Unfortunately before things
even seem to get started, the girls switch and Jill gets a taste of Caressa.
Caressa's quite responsive, but it sounds fake. Then they each sit on
opposite sides of the couch, playing with themselves and the dildos and
watching eachother cum. Caressa is more enthusiastic, but there's something
about her performance that seems obviously fake. Jill is more demure (not
to mention prettier), but even she can't save this scene by herself.
Lori calls up Sue and asks for her help in cheering up the soon-to-arrive
Julie. Sue asks her what she has in mind and Lori brings up a friend of
theirs, Vito (Gerry Pike), who's a cab driver by day and male stripper by
night. Sue then asks, "Oh, you mean the cab driver who can't stop looking
in the mirror?" and chuckles. Cut to Vito, who is indeed looking in a mirror
- at himself. He's in his bathroom, posing and swaying around his long hair
(do we really need to see this??).
Hours later. Julie arrives on Lori's doorstep and is introduced to Sue, who's
in the living room. Lori says she has something planned to cheer her up and
then there's a knock at the door. Vito steps in, claiming his car broke down
and that he needs to use the phone. All part of their plan, Lori goes and
gets the phone for him, acting along. Once given the phone, Vito says he has
a confession to make and that he's not really there for the reason he claims.
Then he unties his ponytail and dances around, stripping for the girls. Lori
and Sue are smiling, but Julie looks none too pleased (either Dallas is a good
actress or she doesn't really like Gerry). After a while, Julie's had enough
and heads out of the room. Lori goes after her and Vito continues dancing for
Sue. Sue gets up and does a little striptease of her own and they get into it
right there.
(SCENE 4): A very lengthy, somewhat boring (because of limited camera angles)
segment of Gerry eating Jill out from behind starts things off. Jill only
gets about half the time Gerry had, when she returns the favor with an ok
blowjob. They only do it in two positions - first, an almost-mish (where
Jill is sort of laying on her back and sort of laying on her side with one
leg up on Gerry's shoulder) and doggie. Close-up shots of their faces are
used often and Jill is enthusiastic but the scene ends too quickly with a
cumshot on her ass. Would have been better if the scene was longer, and they
could have used better background music.
After Sue and Vito leave, Julie peacefully sits on the couch. Billy suddenly
enters the house (no knock at the door, no doorbell ringing, he just enters
the living room) and sits next to her, introducing himself. She tells him a
little bit about herself and that she's having some problems with her
boyfriend and that she took the vacation to get away from it all. With Lori
asleep in her room, Billy tries to cheer Julie up by himself. You can guess
what happens next.
(SCENE 5): After feeling eachother off and removing eachother's tops, Dallas
lays back as Bobby works his tongue around her clit. With her chest sticking
out, I have to say I really dislike the way Dallas's boobs look - they're
like two cantelopes glued to her chest or something (then again, almost all
the boob jobs in porn look bad anyways), but she has a nice looking body and
thankfully, her boobs aren't ridiculously huge. A decent blowjob follows
(in close-up with her hair down around her face, Dallas looks very pretty),
but it's cut short and Bobby "suddenly" has a condom on as they do a mish
(half the action is poorly shot - too many 'from behind' shots will have you
staring at Bobby's back). In the brief doggie-anal, Bobby holds his dick
at the base, gliding it in (like with Michael J. Cox in scene 2) and then we
cut to mish again (?!?) and then the faked cumshot: Bobby strokes himself off
as Dallas waits for his load on hands and knees. They close-up on her
breasts and 7 or 8 small drops of obviously fake cum land on her. They just
show Dallas from behind, blocking Bobby's dick and the scene fades out.
The movie just ends with the two step-sisters sitting by a fireplace and
drinking wine.
Not only did Steve Drake direct this movie, he wrote and produced it as well.
Not exactly the worst video I've ever seen (but it did contain poor,
sometimes grainy quality and lacked large doses in the heat department) but
Steve should really put more time and effort in and not stick to churning out
one-day wonders. I've seen Dallas elsewhere and didn't really think much of
her (see my review of "Many Happy Returns") but she looked gorgeous here.
Non-Butt Sister Jill Kelly had the most scenes (2) so perhaps this tape will
appeal to her fans (if you want to see her sucking a strap on dildo as if
it were real in one scene and doing it with a Fabio-wannabe in another).
What it all comes down to is that it's not really *where* they do it - but
*how* ; although the Butt Sisters did Philadelphia, they could've done it a
whole lot better.
Joey Markham
Created: Tuesday, June 25, 1996, 10:44:06 PM
Last Updated:
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169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说
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