Date sent: Mon, 2 Dec 1996 02:28:55 -0500 (EST)
From: Joey Markham
To: [email protected]
Subject: REVIEW: "Butts Up"
BUTTS UP
director: Art Ben. Caballero, 1994.
cast: Nikki Sinn, Tina Owen, Jordan Lee, Ariana, Anna Marie Tyler, Angella
Faith, Jake Williams, Tom Chapman, Steven St.Croix, Joey Silvera, Marc
Wallice.
running time: 69 minutes.
- Nikki Sinn (anal), Jake Williams
- Tina Owen (anal), Tom Chapman
- Jordan Lee (anal), Steven St.Croix
- Ariana (anal), Anna Marie Tyler, Joey Silvera
- Angella Faith (anal), Marc Wallice
This tape is mostly a wall-to-waller of anal sex scenes but there is a writer
credited (a cleverly nicknamed 'Pamela Penn'). The attempted storylines are
very, very weak so there was no point of it and overall would've served better
as a compilation video.
- This first scene starts at the home of Nikki and Jake. Looks like they've
just moved in and even though they haven't unloaded their boxes yet, they're
already playing around. Nikki's in the backyard by their pool and saying,
"Try and catch me if you can!" She runs around some boxes and suddenly, Jake
pops up and squirts her with a watergun. She's caught and has to surrender to
him. They go inside and have sex. Simple enough! Things start off with a
blowjob. Nikki tries to deep throat and she almost does it, but it looks like
she's gagging when there's about one more inch to go. At the same time, Jake
takes the watergun and squirts water on her ass. Nikki then turns over on her
back as Jake hovers over her face and pumps his cock in her mouth. After
sliding off her bikini bottom, they fuck. We get good close-ups of the action
(and of Nikki's completely bald pussy). They talk to eachother at one point,
but it was quite inaudible. That dragged down the heat several notches! They
get back into it with the doggie position and eventual anal penetration. Very
good close-up. Nikki brings the watergun into view again, reaching underneath
her and squirting water up on her stuffed pussy. Jake pulls out and shoots in
between her ass cheeks.
- This next scene is just presented to us without a story to go along with it.
Tina Owen, who looks like a woman in her late 30's, is on her knees giving Tom
Chapman quite the enthusiastic blowjob (she slows down for a bit then picks
the pace up again). Tina looks like she's wearing a wig, but who knows, maybe
a lot of extra-hold hairspray made it look that way. She also has a boobjob
that doesn't look all that horrendous. During sex, Tina is still semi
enthused. When they spoon it, Tom holds her leg up and lets her thrust herself
onto him. He takes over and continues pounding away. They gradually get into
the anal and she continues to take it with the same ease as before. Tom then
pops his load on her face.
- This third scene opens up with Jordan Lee relaxing by a pool when along
comes Steven St.Croix whom she tells, "I'm not playing.." He tells her he's
not playing either then as soon as he sits down and wades in the water, she
turns over and pulls out a watergun from underneath her. She squirts him and
says she can't believe he fell for it. Suddenly, he has a watergun too and
squirts back. She runs inside the house and he chases after her. When we
catch up with these two again, they're starting to have sex (I have a question
for Pamela Penn - did this sound good on paper??? Talk about the lamest ways
to segue into sex scenes!). However, this scene is anything but lame. When
you've got Jordan in a sex scene, expect glass shattering screams. She is
usually so vocal I'm starting to think she puts Teri Weigel's voice range to
shame. Starting off with a 69 (and Jordan's underneath), Steven lightly
passes his tongue over her clit and she's already screeching like there's no
tomorrow. They do doggie and mish then a mish-anal and she begs for him to
cum in her mouth. He does cum near her face, but most of it lands on her
breasts (which, by the way, when you see her laying on her back.. really bad
looking marks form under her breasts as she moves around). There are also
some pretty good close-ups of the penetration.
- By now, you'll know this movie's scenarios contain moving boxes and
waterguns. What they have to do with anything is anyone's guess. We open up
now on Ariana in a kitchen. She's taking glasses off a shelf and wrapping
them in newspaper, putting them into a cardboard box. Her friend Anna Marie
Tyler is sitting there watching as well as Joey Silvera, who reaches into the
cardboard box, takes out a glass, unwraps it and puts it back on the shelf.
Annoying as that is, she asks him if he has anything better to do. Then he
holds a glass in his hand and pulls out a watergun with the other and squirts
it, handing it back to Ari and telling her it's dirty (yeah, ok.. water makes
things dirty..). He ends up squirting her too, then moments later we cut to
the three of them having sex. Ariana looks ok here and Anna Marie has a
sort-of cute, but overall plain look about her (she has nice breasts though,
which I'm contemplating whether or not they're real: they do move around but
when she's twisting her nipples, her breasts sort-of look like they're moving
in one piece altogether like there's a sponge stuffed inside or something).
Anyhow, the girls are into it.. moaning, etc.. and Ariana's nasty side comes
out to play. When she's doing the doggie with Joey, she's munching on Anna
Marie's pussy and spanking it. Later when Anna Marie's doing a mish with Ari
sitting on top of her face, Ari bends down to suck on A-M's toes. However, it
doesn't get any nastier than that. Ari's the only one who does anal (with
Joey wearing a condom) and both girls put their faces together to receive a
cum bath (more like a shower.. actually, more like a drop).
- This final scene opens up on Angella Faith and Marc Wallice entering a room
of some house (with moving boxes scattered here and there - come to think of
it, I have no idea if this is supposed to be the same house with just
partygoers going all over the place or scenarios of people who seem to have
just moved into their new homes and breaking it in by having sex). Anyhow,
as soon as Marc closes the door behind him he pulls out his trusty watergun
and squirts Angella telling her, "Bang bang you're fucked!" She turns around
and her ass is painted with red and white circles as if it were meant for
target practice or something (in which anal penetration would have Marc
saying "Bull's eye!"). So they get into the sex with Angella giving him a
blowjob with slight deep throat. A condom is 'mysteriously' slipped onto
Marc as he bones her doggie style. Then a mish, with eventual anal. Angella
seems to be worked up and enjoying herself (she's a pretty redhead with small
natural breasts covered up by a bra the whole time). Marc then takes off the
rubber and jerks himself onto her chest.
Will you like this movie? Well.. some of the photography's good (with some
great close-ups) but the color and sound is dull. Jordan Lee's the only girl
who comes alive, sorta speak, but I'm not saying that the rest of the girls
give dead performances. This wall-to-waller had a short running time and
could have used 4 or 5 more scenes. It does deliver the anal, but you'll
probably be better off renting something by Rosebud. For the most part,
"Butts Up" gets a thumbs down. Rent only if you really like any of the
female cast.
Joey Markham
Created: December 03, 1996 -- 09:29 PM
Last Updated:
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169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说
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