Date sent: Sat, 7 Dec 1996 00:36:08 -0500 (EST) From: Joey Markham ([email protected]) Subject: REVIEW: "Kelly 18" The first of two parts, this was the very first Kelly O'Dell video I've seen. The first thing that will cross your mind when you see the box cover is that Kelly's only eighteen years old, hence the title. Well yes, she was probably still eighteen when this video was filmed but her age has nothing to do with anything (as you will find out). Still, if you like young girls, Kelly suits the bill quite well but she's the only really young-looking girl in this video. KELLY 18 director: Scotty Fox. Legend Video, 1993. cast: Kelly O'Dell, Pearl, Mickala, Randy West, Jonathan Morgan, Mike Horner, Mark Davis, Shawn Ricks. and introducing Shelene (=Darla O'Brien). [appearing in non-sex roles]: Madison, Nick East, J.B. running time: 69 minutes. - Kelly O'Dell, Mark Davis, Shawn Ricks - Mickala, Jonathan Morgan - Shelene, Randy West - Pearl, Mike Horner / Kelly O'Dell (masturbation) The movie starts off at a strip joint where Kelly's wearing very flimsy, rag-like clothing and dancing on a stage. There's a crowd watching, as well as male dancers Mark Davis and Shawn Ricks standing onstage near Kelly. She has a very nice body and the camera captures her poses very well. The way she looks here, I had images of Deidre Holland floating in my mind (they both had the same kind of natural breasts - that's *had* because they now both have implants unfortunately). Kelly's a pretty young thing and just loves swaying her long hair all about. Several times the camera is placed down looking up and you'll feel like you're sort-of watching a Buttman video (she's bent over and her perfectly round butt sticks out for our viewing pleasure :-). Once Mark removes the last shred of clothing, totally exposing Kelly, the crowd goes wilder. She continues dancing for a few more minutes. I enjoyed watching Kelly's limber moves, I think you will too. When's she done, the crowd applauds and we now move on to what's going on backstage: Kelly takes on the two male dancers. - This threeway is quite hot, especially with Kelly being wild and wanton throughout. She gets her pussy licked while sucking off a guy (both guys switch places after a while) then they slip on condoms (of course, they are 'suddenly' on). Mark does her doggie style and Shawn does her mish. Kelly gets that nasty look in her eyes where it seems like she just can't take it anymore, but she loves it so much she wants them to keep it up. Kelly then sucks them both off before they cum, and when they do it's in slow-motion. Mark cums mostly in her mouth, which she swallows, and Shawn gives her a messy facial that has her giggling. We now see two masked people (Mickala and Jonathan Morgan) on a couch. They're both wearing gold colored, goalie-like masks and besides that, she's only wearing a pair of white panties and he's wearing boxers. He's kneeling behind her, fondling her breasts and fingering her pussy. "Let me take off my mask," she says. "I want you to see my face!" "No," he says softly. Then he tells her to 'say it'. "Kelly," she moans. "Kelly what?" "Kelly 17." "And why are you Kelly 17?" "I'm the 17th one you've had.. the 17th one named Kelly." "But if I let you take your mask off, you'll ruin it. You'll be more than just a number then." "I don't care, I want you to look into my eyes while you fuck me." "But I can see your eyes with the mask on." (I'm practically writing the whole script here! :-). Anyways, he starts to finger her faster. "You must be REALLY turned on right now," he says. "Yeah, I can feel that you are. You're a bad girl, Kelly." She begs again to have her mask taken off. He firmly tells her no again and they end up sitting side by side. He continues to masturbate her and she reaches into his boxers to masturbate him. - After she strokes him off and he vigorously fingers her clit, they get into doggie and mish positions. During mish, she tries to take her mask off but he stops her again. He pulls out and cums on her belly. If you enjoy people wearing masks during sex will you like this scene. If not, you still may find it interesting, but not all that hot. Now we move on to a strip club where Patrice (Pearl) is dancing. Pearl is a very pretty brunette; petite and natural breasted with shoulder length hair. Here she's dressed in a white shirt and vest and has a moustache drawn above her lips. While she does her number, we see Kelly sitting at the bar engaging in a conversation with the bartender, Dutch (J.B.). He's telling her how Patrice is one of their best dancers and how everyone remembers her because of her performances. Kelly assures him that all the customers are sure to remember her as well and Dutch agrees with her, telling her she already has quite the reputation on the dance circuit. Not to mention a rep for hopping from club to club making it seem like she can't stay in one place for very long. So she talks about having been put through all the motions before - how guys start following her around because soon enough they aren't satisfied by just watching pretty girls like her take their clothes off. He suggests she quit dancing. "It helps pays the bills," she informs him. Then he suggests she get together with rich guys who can take care of her. Rich guys like the one he points out to her - Christopher Berle (Jonathan Morgan), as opposed to less classier types like Gary (Randy West), a man with a leather jacket and cap. As for Berle, Dutch tells Kelly he's worth millions. So she wonders what he's doing in a dive like the one they're in. "Slumming," replies Dutch. "Maybe he'd like to slum with you too.." Berle looks over and smiles at Kelly. Dutch goes up on stage once Patrice finishes dancing, to get the audience to give her another round of applause. Minutes later, Kelly and Patrice go backstage to their dressing room to find another dancer (Shelene) spraying whipped cream all over Gary's cock and getting ready to give head (I couldn't understand what Shelene's character's name was, so I'll just call her by her stage name :-). "Do you have to do that here?" asks Patrice. Shelene replies, "If you don't like it, get another dressing room, Patrice. I have to earn my tips somehow. And besides, Gary here's a good tipper." Patrice doesn't mind all that much but she's just worried it'll give a bad impression to the new girl, Kelly. Gary's enthralled by Kelly. "New girl," he says. "Well, I can hardly wait to watch you perform." Kelly leaves in a rather disgusted manner but Patrice stops her in the hallway. She tells Kelly that nobody's getting hurt by doing that kind of stuff backstage. Kelly admits that she loves sex herself but she doesn't like fraternizing with the customers (only with other dancers I guess, regarding her romp earlier). Patrice says that most of the guys are ok but Kelly's still leery about it, letting her friend know that if she reads the newspaper she'll know that about a half a dozen murders happen each day. "But Gary's a pussycat," says Patrice. Kelly replies, "Even pussycats have claws, Patrice." Then we cut back to Shelene and Gary. - After Shelene slowly slurps the whipped cream from Randy's cock, she sits back and has him spray her nipples with the cream too. After munching on her (enhanced) breasts, Randy goes down and sprays more cream on her clit and pussy. They end up doing doggie and missionary pokes. Then she sucks him off before having him cum on her tongue (very mildly) - in slow motion. I only find Shelene semi-attractive, but she was quite vocal and put out a fairly decent scene (however, most of the dirty talk was inaudible). Hours later. Shelene is dancing onstage. Patrice asks Kelly is she's feeling better and Kelly looks over in Gary's direction, saying, "I suppose.. there's just something about that guy.." She swears he's been at one of the other clubs she's been to (well, is he not allowed to visit as many different clubs as he wants to???). Later, as Kelly heads out, a waitress stop her and hands her a note she received. Kelly reads it out loud: "I will consume you, Kelly 18." "What does that mean?" asks the waitress. "It means I'm scared," she replies and tosses the note. Later that night. Kelly's sleeping on her bed but her relaxed state is soon turned into panic as she begins to have a nightmare. She dreams about Dutch saying, "Kelly 18" over and over. Then Gary saying it. Then Madison saying it (huh?! Where'd she come from? I guess there's a lot more of her in part 2). Anyhow, all three of them are chanting over and over and then an image of Christopher Berle says, "You can't hide, Kelly!" and she wakes up. The next day. Kelly is wearing a tight black outfit (with holes cuts out for her breasts to hang out) and is dancing onstage. Both Patrice and Shelene are squating down behind her extending their arms out to play with Kelly's body (they're also wearing black, making them less noticeable). After that rather erotic number, the girls head back to their dressing room and can't believe how well that went. Kelly tells them she thought of it in a dream she once had. "You must have pretty wild dreams," Shelene tells her. "Too wild sometimes," Kelly says. Patrice adds, "I think Kelly's had some bad experiences with some of her fans." That brings Kelly to inform the girls about all the scary notes she's been receiving lately. She reads her latest one to them: "Your passion has consumed me and now I must consume you. Your mind, your heart and your flesh will soon be all for me. You will be mine, Kelly 18." She says she doesn't know what it means nor does she want to find out. Shelene says, "Maybe he just likes to fuck girls named Kelly. Maybe you'll be the 18th notch on his bedpost to be named Kelly" (by George, she's got it!). Patrice tells Shelene she's been watching too many movies then tells Kelly to ignore the notes. "I did ignore the first one," she says. "But that's number twelve!" Kelly's been too edgy with all these secret messages and living alone doesn't really help matters so Shelene suggests she get a dog or a boyfriend. Patrice offers to have her stay at her place, on her sleeper-sofa. Kelly says she doesn't want to put her out but Patrice tells her that when she's home she's always in her bedroom with her boyfriend so it won't be a big problem. Then Dutch comes into the room with flowers for Kelly. She wonders who it's from and finds out they were given to her by Mr.Berle. Then Dutch presents another note that he says was left on the bartop. Kelly reads it out loud: "Haven't you learned by now.. no matter how much you run I'll always find you. It's fate that we'll be together. It's fate that I consume your sex. It's fate that you'll be mine Kelly 18. Don't fight fate, you'll never win." With that, she takes Patrice up on her offer. Later that night at Patrice's. She and her boyfriend Brandon (Mike Horner) are on her bed. He's got a robe on and laying on his back while she reaches inside and strokes him off. He's about to orgasm but she stops him, letting him remember that Kelly might hear them. He's really annoyed about it but Patrice assures him that she and Shelene will help Kelly find a boyfriend, especially with the news that a male friend of theirs is coming to town soon. So now Kelly won't be alone much longer. "She won't have to masturbate either anymore, will she?" Brandon smiles and kisses Patrice, getting into it. Outside the room, Kelly's sitting on a couch doing what they already know she's doing - masturbating. - Pearl starts off by giving head to Mike, which she really seems to enjoy doing (several times she looks up at him - contacts or not, she has beautiful green eyes :-). They end up doing a 69 then fuck missionary style. Mike later stands up on the bed and raises her butt up in the air, continuing to plow deep inside of her. He lowers himself again and puts her legs together, having her pussy stick out, which he continues fucking. Then he pulls out and cums all over her breasts. Intercut with this scene is Kelly softly and sensually masturbating on a couch (her gentle approach as she glides her fingers on her body can only be described as kittenish :-). Pearl is enthusiastic and should have been in more movies than she ever accomplished in her short career in porn. On his way to the kitchen for a glass of water, Brandon bumps into Kelly. "Don't let me intrude," he tells her as he eyes her slowly-warmed up body. "If you want a show, go to the club and pay for it," she tells him. Then he wonders if she pressed her ears up against the wall to listen to him and Patrice. "You probably steal people's fantasies just so you can put 'em in your act," he says. "From what Patrice tells me, you've got a guy after you now. Maybe he's trying to steal some of those fantasies back." She tells him the guy's a psychotic and half of the men 'out there' are psychotic too. Then, as if giving her the hint that she should find someone and move into her own place, he tells her to pick any man out there with the fifty/fifty chance that he won't be a killer. "It's a terrible waste of a babe like you just masturbating," he says and heads into the kitchen. She mumbles, "And there's a fifty-fifty chance that he'll be a creep like him.." To be continued. Kelly's a cute young thing but speaks as if bored, like she's out of it (especially in most of her dialogue scenes). However, that certainly doesn't stop her from putting on good shows onstage and rutting it out in fine fashion in her torrid threesome. As for the other girls, Pearl is very pretty, Shelene just didn't do anything for me and the always cute Mickala was hidden by a mask. The story doesn't really build up any kind of suspense that you'll just HAVE to see the sequel, but the sex scenes do build up enough heat (most of the time) to enjoy viewing this tape (however, four scenes just isn't enough). Joey Markham [email protected]
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说 ENTER NUMBET 0017