SITTIN' PRETTY director: Jerry Ross, 1990. Dreamland Entertainment. cast: Sunny McKay, Heather Hart (=Heather Mills), Trixy Tyler (=Carrie Breeze), Alicyn Sterling, Ashley Nicole, Jon Dough, Joey Silvera. rating: 1.00 sex scenes: 1. Heather Hart + Jon Dough [RC, doggie, missionary] 2. Trixy Tyler + Joey Silvera [missionary, RC, doggie] 3. Ashley Nicole + Jon Dough [69, missionary, spoon] 4. Sunny McKay + Alicyn Sterling [69] 5. Sunny McKay + Jon Dough [RC, doggie] This movie's resources were practically wasted. There were no anals or facials. Both Alicyn and Trixy were pre-boob job here, too. The film quality was ok, as was editing, but the heat did not rise as much as it should have; most of the sex was quite boring, even those looking for a nice "couples" film will look elsewhere. Jon is a bored and depressed salesman who's slipping through the cracks at work; he can't get reports in on time, he's always late for work and he's on the verge of losing his job. Secretary Heather Hart (with shorter than shoulder-length hair) wants to help him out, but all Jon tells her is that he's depressed about everything; he's simply bored with life in general. She makes him see the light, however, when she finishes off a report for him. What can he do to thank her? Well, she's at his house anyway, and nobody else is around... Heather and Jon start kissing eachother then she licks his chest up and down. She gives him a really boring blowjob before sitting on him for a reverse- cowgirl (her pussy looks cute with just a bit of hair above her clit). They do a doggie then missionary before he pulls out and cums all over her belly. She smiles and tells him she'd help him out with his reports anytime. The next day, Joey Silvera (Jon's boss) looks over the report and is astonished. We cut to a studio where model-spokesperson Sunny McKay is taping a commercial for a perfume from Paris. We cut again to Jon's girlfriend, Ashley Nicole, who calls him up and invites him over for a drink. He tells her he's too tired and she asks him to call her back when he's up to it. Back at Joey's place, girlfriend/wife Trixy Tyler (with waist-long blonde hair and a blonde bush) notices he's in high spirits over Jon's report. Joey's so happy that things at work may finally be back to normal and he celebrates with a quickie. A nice blowjob starts off the scene but things go downhill from there. They fuck missionary, reverse-cowgirl, then doggie style. Trixy gives Joey a handjob 'til he cums (some of it dribbling down her hand, most of it landing on him). Ho-hum. The next night, Jon is watching tv and becomes completely absorbed to the tube when he watches the perfume commercial. Fantasizing about Sunny, he wishes he could have a girlfriend just like her. Speaking of girlfriends, Ashley calls him up again and tells him that if he doesn't give her the time of day anymore, she'll find some other guy who will. He tells her that he's just really tired and bored lately to do anything and that he really does love her. She tells him to prove it, and Jon rushes over to her place. Ashley starts off by giving Jon a weak blowjob that ends up with her getting on top of him for a 69. They fuck missionary style and Ashley squeals with delight. She enjoys it some more when he spoons her and then he cums on her pussy and chest. Ashley looks really good here and if it wasn't for her fake boobs, she'd have a really beautiful natural body. After a long and tiring photo-shoot, Sunny heads back to the dressing room where she gets a massage from Alicyn. Alicyn asks her if she knows anything about the guy who keeps sending her flowers and who keeps wanting to meet her, but Sunny is so relaxed from the massage, she just wants to change the subject. Suddenly their clothes come off and they muff it out with a 69. There's hardly any kissing at all here, just rubbing and touching. Alicyn's the first to reach orgasm with Sunny eating her out from behind, then Sunny rides Alicyn's face and reaches her own searing orgasm. The next day, the still-depressed Dough-boy is driving around town and ends up going to the studio where he dresses up as a security guard to get inside. Sunny finishes another photo-shoot (with a cameo appearance by Ron Vogel) then Jon approaches her when the coast is clear. He admits that he's the guy who's been sending her flowers and wanting to see her so badly. He tells her he always imagines her in sexual situations and doing naughty things, then she wonders what she can do to help - fulfill his fantasies of course! Another slow-moving blowjob starts off this scene - that actually gets hot. She reverse-cowgirls him in fine fashion then takes it doggie style. She screams and writhes as Jon keeps pounding away, worried that this may all be just another imagination. She turns over on her back as he shoots his load on her chest. Totally spent, Sunny tells Jon she really wants to see him again and from there we have our ending as Jon is suddenly back to his chipper self, turning into the best salesman of his company again (what the company does is beyond me). A very slow-moving vehicle, this movie doesn't offer anything new or exciting. The only scenes to watch are the last two McKay bouts and unfortunately, while Sunny is definitely "Pretty", this movie will probably end up "Sittin'" on video store shelves for a long time. Overall, an Imperial rating of 1.00. [email protected]
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说
ENTER NUMBET 0017
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