From: "JMT"Newsgroups: rec.arts.movies.erotica Subject: First time review: Voyeur #8 Date: Wed, 02 Apr 97 19:57:35 I'm a long time reader of this newsgroup who occassionally posts and I've decided to post a review and see what kind of reaction I get. I should say I'm a fan of anal and I don't mind when women get their tits inflated. (Yeah, I'm the guy you can blame.) I should also say that I tend to like reviews like the ones posted by Roger P. Tipe (T. Pipe, whatever he calls himself) and if I tend to go on and on, you can throw the review off your newsreader or flame me on the group. Long as I get a reaction. So, here goes. VOYEUR #8 EVIL ANGEL VIDEO DIRECTOR: JOHN LESLIE CAST: BUNCH OF EUROPEANS I'VE NEVER HEARD OF AND TWO AMERICAN ACTRESSES NAMED DEVON AND NADIA In my opinion, humble though it may be, John Leslie is the best thing porn has going for it. His sex is consistently hot, there is a theme, though sometimes weak, throughout his work, and, more than anything else, he actually appears to try. If you don't believe that makes a difference, just compare his weakest stuff to the most highly heralded Vivid lite porn. One Leslie tape can equal ten of theirs. I was not a big fan of Leslie's VCA work, it had too much of an antiseptic, almost clean feel to it. He once said in an interview that he left VCA without bad feelings, but they just weren't letting him do what he wanted. Evil Angel, thankfully, has turned him loose and the results, for the most part, have been stunning. The Voyeur series has proven to be his most successful in terms of sales, so he continues to pump a new one out about every two or three months. When he first started the Voyeur series, I got the feeling he was trying to do a sly take on the Buttman/Seymore Butts school of gonzo film making. In other words, what would be the consequences if someone actually carted a video camera around and asked guys if they could tape them fucking their girlfriends. In the real world, the result would probably be several violent beatings. Remember, the Voyeur was witness to Tony Montana being gunned down in the first installment. I thought Leslie was on the right track, and if any director could show a real world version of Buttman, it would be Leslie. But time passed, the series went on and the Voyeur became nothing more than a series of unrelated sex scenes, resembling nothing more than those old Swedish Erotica loop collections, except with hotter sex and better camera work. Voyeur #8 is part two of a trip to Europe and there's no need to worry if you see this one before catching #7. Their only connection is that Leslie directed each one and their both set in Europe. Other than that, watch then in whatever order you want. This video starts with the Voyeur (Leslie) trailing a European version of a trailer park resident (heavy make-up, slightly dazed look) through the streets of some city I couldn't even begin to name. Too much time is spent with the camera aimed partly at the sidewalk, but Leslie eventually catches up to her at some phones in what looks to be a subway tunnel, or whatever they call them overseas. He barks at her some, she replies in broken English and he eventually flags down three guys and asks if they want to fuck her. (Just like in real life, huh?) One of the guys is heavy set and not too pleasant to look, another spends the entire scene looking so nervous, you start to worry he's going to throw up, and the third is some guy I've seen in a few Private productions. They end up in a hotel room that's bigger and fancier than my doublewide and proceed to go through the basics of a three on one scene, without any anal, which is disappointing as this woman, who is listed as Carol on the box, looks like she probably takes watermelons up the butt in European videos we'll never see over here. But even though the scene is standard, right down to the dribble cum shots the guys deposit on her face, Leslie's camerawork pulls it out of the pits. Like Borsky, when he's got the fish eye lens working right, Leslie just knows where to put the camera. Being a guy who thinks blonde women rule the earth, the next scene almost did me in, even though there wasn't any anal. (Sigh.) It features Anita Blond and I was under the impression, from the boxcover, that she was the same Anita Blond who has appeared in several Anabolic productions, but after watching her on the tape, I'm not so sure anymore. Either way, she's drop dead gorgeous and the scene opens with Leslie spying on her in a barn. (I have no idea why.) She's wearing tight blue jean shorts, (a look I wish more directors would feature) and she eventually sheds those blue jean shorts and plays with the prettiest pussy I've seen on video in ages. A farmhand walks in on her and proceeds to stroke his dick while her fingers continue at their task. Whenever he tries to help her out, she pushes him away. As usual, Leslie mixes up his camera work, sometimes shooting from the view point of the Voyeur, other times using extreme close-ups. It's a style that should become irritating, but works for some reason. The frustrated farm hand finally gets to enjoy a blowjob, but just as he's getting into it, someone, (boss, father, older brother, Leslie doesn't give a clue) barges in, barks at the farm hand and sends him away. The blonde makes a quick attempt at seducing the older man, he wisely gives in, then she's squatting again, her mouth full of cock. The guy eats her pussy, it is really a pretty pussy, and then uncharacteristically for Leslie, there's a quick cut and the guy is fucking her, without a penetration shot. The sex isn't too imaginative, the positions barely change, but the woman's beauty makes up for it. She's so good looking, the tiny amount of cum he dribbles toward her mouth almost seems like an insult. Still, the blonde makes it a scene worth viewing again. The third scene is the highlite of the tape, and is probably the best Voyeur scene in several volumes. The two women in the scene, if I'm reading the box cover right, are Maria and Chanel. The guy, once again, is someone I've seen in some Private productions, but I have no idea what his name is. This is the kind of scene where you can tell Leslie's actually put some thought into it. There's a set-up, dialogue that isn't stilted, the women are good looking and the guy actually isn't repulsive. It appears the Voyeur and a group of guys have taken over a closed restaurant and Chanel is putting on quite a show for them. She's walking around, flashing her tits and ass, talking dirty in thickly accented English. This goes on for a few minutes, a bachelor party I would guess, before the restaurant manager comes out and tells them they have to stop, that this kind of thing isn't allowed. Leslie proceeds to try and talk him out of it and has the guys cheering him along, saying the restaurant is closed and nobody's getting hurt. Of course, it's when Chanel pulls his dick out and begins to suck on it that he changes his mind. They proceed to go through the positions, with everyone cheering them on, and Chanel is lying on her side, receiving a pretty good ass pounding, when the guy's wife walks in. At this point, in a lesser directors hands, say Jim Enright, there wouldbe some woodenly read dialogue and the wife would proceed to eat the other woman's pussy. Fortunately, this is Leslie and we at least get some attempts to make it right. The wife pouts a little, gripes that her husband never does her this way, and then is cajoled by Leslie into going in front of the group and performing a strip tease. The wife, Maria, is, I must say, a mouth watering delight. No, she's nota beauty queen, but she's cute, with short brown hair, small but firm tits, and a wonderfully big, round butt. Her strip tease is soon interrupted by her husband and his lover. He bones his wife and then gives her a thorough, and I do mean thorough, butt fucking. This is done in the doggy position with the group of guys all watching intently. This is almost funny in a way and the guy actually manages to produce a cum shot worthy of the two women. This scene may be the best Leslie has ever done. If you're not a fan of his right now, this scene will make you one. The next couple of scenes are nothing special with the exception of Anita Dark, (Hmm, Anita Blonde, Anita Dark, there's a great imagination at work here!) clad in a pair of tight orange shorts. While these scenes are far above the work of your standard hacks, they're par the course for Leslie and you won't miss anything is you never see them. The final scene has the Voyeur back in America. He's spying on a couple of women in back yard as they put on their bathing suits. They start to sunbathe and are eventually joined by a guy who gives Nadia a good pussy drilling before seriously ravaging Devon's butthole. But even with the anal pounding being a good one, the scene is dragged down considerably by the guy's two drop cumshot. I'm not kidding. I might have blinked and misseda squirt, but I swear the guy managed only a couple of drops on the two upturned faces. So, overall, this isn't Leslie's best effort, even in the Voyeur series. His best tape, for me anyway, was Dirty Tricks #2 and the first Voyeur is the best in this series, back when it looked like he was actually going to accomplish something with it. But I would highly recommended this tape mainly for Anita Blond and the threesome in the restaurant. Blond is simply gorgeous, I hope she appears in something nastier later on, and the restaurant scene is porn the way it should be. If you like this review, let me know. I have a porn collection of almost 500 tapes and I can write a lot of them if anybodies interested. Until whenever, take care.
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说 ENTER NUMBET 0017