Date: Wed, 15 Oct 1997 14:46:38 -0400 (EDT)
From: Joey Markham
To: [email protected]
Subject: REVIEW: "Wild Widow"
WILD WIDOW
director: Roy Karch. Nitro, 1996.
running time: 95 mins.
cast: Jeanna Fine, Anna Malle, Morgan Fairlane, Alexandria Silk, Raven
McCall, Steve Hatcher, Rick Masters, Hank Armstrong, Guy DiSilva, Ron
Jeremy, Don Fernando, Santino Lee.
rating: 8 / 10
or Imperial rating: 3.00 / 4.00
Jeanna Fine plays a very recent widower who just came back from her late
husband (Guy DiSilva)'s funeral. She definitely misses him, but mostly
for the sex (everything else; money, clothing, shelter.. she has taken
care of). So what's a horny woman to do? Seduce her right hand man
(Steve Hatcher) who now becomes the man of the house and has to carry the
responsibilities that Guy used to have (which includes fucking her,
obviously). Her other good friends (Anna Malle, Morgan Fairlane, Raven
McCall) couldn't make the funeral because they were engaged in their own
little affairs but they hook up with her over the phone (though she
visits Anna) and offer their condolences (and try to offer her sexual
encounters, to help ease the depression - aww, how sweet :-). That's
pretty much the storyline for this one.
(Scene 1): Anna Malle, Hank Armstrong
- Anna Malle is one of the most energetic creatures to grace the x-rated
screen in quite some time. She proves her fiery ways with an intense
blowjob that has her bobbing up and down on Hank's hard schlong like the
Energizer bunny gone haywire. He even gets an intense look on his face
as if he has something rammed up his butt (and Anna looks just about ready
to rip him out at the roots!). The sex action is decent (doggy, spoon,
and missionary) and Anna gives us her Linda Blair impression straight from
the Exorcist movies as she lays back helplessly (in mish) and rolls her
eyes to the back of her head. She eagerly bounces herself into position
to receive a facial splattering and she's very much hungry for it. Nice
way to start off this carnal video!
(Scene 2): Jeanna Fine, Anna Malle
- A few moments are spent on Anna washing herself off in the shower before
Jeanna joins her (after Malle dries herself off) for some pretty hot muff
munching that practically puts the steam back onto the windows. Jeanna's
not her most intense here but she dirty talks Anna (calling her a cunt and
a bitch) and orgasms. Anna orgasms too, and boy does she ever - more white-
eye shots and slight, animal-like growls that make this sexual beast just
ripe for taming. Near the end of the scene, Miss Malle sucks on Miss Fine's
fine breasts and Jeanna holds the back of her partner's head lovingly, as
if she were breastfeeding her. Interesting g/g highlighted by Anna's
nastiness (especially her fondness for spitting on pussy), Jeanna's foul
mouth, and choice camera angles that offer the right amount of close-ups
with good body display.
(Scene 3): Jeanna Fine, Steve Hatcher
- Watching this scene, you'll sense that Jeanna's somewhat holding back
half of the time although it starts off great with Steve working her clit
and pussy just right with his tongue. Jeanna puts on a stiff facial
expression and you can feel she's really concentrating on reaching orgasm.
Her eyes don't roll around but rather it looks like she's centering on a
spot on the ceiling and putting a deep, trance-like focus on it. Their
doggy poke is ok (starts off with Steve keeping still as Jeanna thrusts
back and forth on his dick) but their mish is hotter. She dirty talks
him and as he's fucking her pussy she's telling him to 'use that hole' and
we get a nice close-up of the action. Unfortunately, what looks like a
good build-up for a facial cumshot ends with a chest splattering instead.
She's telling him to give it to her and they're staring deep into
eachother's eyes, but once his loads spray her chest you'll feel like
that bit of heat is ruined.
(Scene 4): Morgan Fairlane, Rick Masters
- Where has Morgan been hiding all these years? She's a very loveable
blonde with natural breasts, a pretty face (nice curvy eyelashes), a slim
body, and a tattoo that's a couple of inches long on her left arm near the
shoulder. As for her sexual attitude, I'd say she has enough energy packed
inside of her to set off a fireworks display! She does a killer reverse-
cowgirl (close-ups may make you dizzy :-) where she pants and writhes in
wild, reckless abandon. Her "fuck me" moans even compete with as many
bobs she makes up and down Rick's cock. A mish follows and Rick takes
the plunge, forcing her to "cum all over that cock!". Morgan takes it all
in stride, dirty talking throughout. To top it off, Rick climbs up to her
face and shoots in her hungry little mouth. Morgan Fairlane is fresh-
faced and has a look that could easily get her mainstream work. You can
even tell from her voice that she's an intelligent woman (and she handles
her dialog very well :-) who, in this line of work, puts her all into it
and gives porn fans the down and dirty behavior we all love to see. She
can deep throat, she throws down a sweaty performance, she can act..
basically she has what it takes to have a long lasting career in porn,
should she decide on it. Near the start of the scene when Rick's flicking
his tongue 'round her clit, she moans with a blissful smile, "I love being
a girl." We love it too, Morgan. :-)
(Scene 5): Alexandria Silk, Guy DiSilva
- Jeanna has a dream about the first time she and her late husband invited
another girl over for a sexual encounter. Jeanna sits back, masturbates,
and dirty talks them while Alexandria and Guy fuck on a bed. This scene
is presented to us in black and white and fits the mood of this dream-
state well enough. Alexandria is a natural bodied girl with a mane of
straight hair (brown or red - couldn't tell without color). She also
reminds me a bit of the early Nicole London. Guy is a bit of a scary-
looking fellow with a sort of deformed-looking cock and scrotum (especially
from the camera angle used when Alex gives him head). They get into mish
and reverse-anal cowgirl. It's good, but seems to be over with sooner
than you know. Jeanna also looks like she wants to join them very much and
probably should have. A cumshot on Miss Silk's (silky smooth?) ass ends
the scene.
(Scene 6): Raven McCall, Ron Jeremy, Don Fernando, Santino Lee
- Raven's a short-haired brunette with nice natural breasts and a penchant
for double-anal sex. She has a slightly rough look (or maybe it's just
her sexual attitude that makes her look rough) and a mouth that loves to
talk dirty as well as wolf down whangers of all shapes and sizes. Ron, Don,
and Santino give it to her nice and rough and she begs for it. They get
into missionary and reverse-anal cowgirl (Ron and condom-clad Santino give
it to her as she sucks off Fernando) then end up giving her rather
disappointing facials. Ron's load mostly gets her hair, Santino's mostly
drips down past her chin, and Don.. well, he has this thing for rarely ever
jerking himself off. Rather, he just lets it out spurt out by itself and,
like always, it's utterly lame! Still, McCall's a good sport and
nevertheless remains content.
This video's a treat that features two of porn's top pros and three
relatively new stars that are quickly on the rise. Good quality and sound,
director Roy Karch cranks out one of his much better one-day wonders with
this one. Jeanna Fine plays the only 'widow' but all the women are 'wild'
in their own ways. Worth a look!
Joey Markham
[email protected]
Created: May 19, 1997 -- 09:55 AM
Last Updated:
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169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说
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